media that matters

Radio Ambulate

Posted on October 25, 2015. Filed under: media that matters, politics, Social Media, technology, Uncategorized | Tags: , , , , , |

Radio Ambulate logo

I recently discovered a great podcast in Spanish called Radio Ambulate. Its episodes are very interesting. It’s creators also do some podcasts in English. There was a recent episode about Guatemala called “Rununcia Ya” (Resign Now). In 22 minutes, it tells the story about how the Guatemalan people forced its President to resign. The Renuncia Ya movement started off as a Facebook post and grew into a series of mass popular protests.

Renuncia Ya episode (Radio Ambulate website)

Renuncia Ya episode (iTunes)

A follow up piece in English with Francisco Goldman is also worth listening to.  He wrote a recent New Yorker Magazine story about the events and the back-story entitled ”

From President to Prison: Otto Pérez Molina and a Day for Hope in Guatemala

Francisco Goldman Episode (Radio Ambulante website)

Francisco Goldman Episode on iTunes

When I lived in Guatemala (in the late-1980s), speaking out publicly against the government would get you killed.  It is heartening that, although corruption, violence, and political killings are still rampant in Guatemala, its people are now able to engage in political dissent in a public way.  Perhaps not always safely, but it appears that there is now more space to voice concerns .

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Peace Corps History and the Peace Corps Archive

Posted on March 2, 2014. Filed under: learning, media that matters, politics, Uncategorized, video | Tags: , , |

Were you a Peace Corps Volunteer?  If so, please consider donating letters, diaries, and/or other items to the Peace Corps Archive at American University.

I made the video above about the Peace Corps Archive at a recent history event organized by Jesse Bailey who is the Historian of the Returned Peace Corps Volunteers of Washington (RPCV/W).  He moderated a panel discussion about the history of RPCV/W.  The participants were all former board members of RPCV/W.  There were even many audience members who were very steeped in the history of the Peace Corps.  The event lasted more than 2 hours.  Here is a teaser:

Part one of the panel discussion can be found here:

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A Fast Food Company That Cares for the Environment

Posted on October 19, 2013. Filed under: Art, food, interesting, learning, media that matters, music, politics, Social Media, technology, Uncategorized, video | Tags: , , |

Here is an example of a fast food company that sources sustainably raised agricultural products, including Niman Ranch pork.  It has hired small media company to produce a video and an iphone application to tell the story of how industrialized agriculture is destroying the planet.  Watch the video they created (soundtrack by Fiona Apple):

and then what the behind the scenes video:

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Documented

Posted on June 22, 2013. Filed under: interesting, media that matters, Uncategorized, video | Tags: , , , , |

Documented is a new film by Jose Antonio Vargas

The film had its world premier at the AFI Docs Festival last night to a sold out crowd at the National Portrait Gallery.

It chronicles the struggles and efforts of the Pulitzer Prize-winning former journalist, both before and after he outed himself as an undocumented immigrant in the New York Times Magazine. “Documented” chronicles his decision to transform his life. At some point, he could no longer keep his secret. He had become a successful journalist covering political campaigns and appearing on television. He had all the trappings of the American success story, but he lacked permission to be in the United States. He had been brought to the U.S. as a child and had no way to obtain a valid immigration status. And after seeing and speaking with thousands of immigrants in the same situation, he decided to “let the world in” to his secret and decided to become an immigration reform activist/provocateur.

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Mr. Vargas has made a compelling film that brings into focus what it really means to be an American. It is not a piece of paper, a birth certificate, a passport, or the luck of being born here. It is a love of country, which Mr. Vargas has in abundance. It is also about hard work and struggle. My Vargas’ grandparents were U.S. citizens and brought him to the USA when he was 12. He became an outstanding student and with the help of dozens of friends, mentors, and surrogate parents, he achieved the American dream. However, the cost of this dream were high, and not being able to be open about his status exacted a toll on his psyche. Seeing other young immigrants struggling to keep their families together and lobby Congress to pass the Dream Act., made him realize that he could use his talents as a writer to help America to peel back the layers and understand the complicated issue of immigration reform. The complexity of the topic has been lost in the political bickering and punditry that characterizes our political system and our society. Sound-bites are particularly inappropriate to understand this complex topic. The film sheds a bright and focused light, like very few other films on this topic. It also highlights his struggle to repair his relationship with his mother, who for twenty years had been trapped half way across the world (in the Philippines) with no way to see her son. The film shows that there are thousands of young adults from all over the world who face the same situation. At one moment towards the end of the film, Mr. Vargas is invited to testify before the Senate. His words are profound and he leaves the Senators with the following question that I think we all must consider thoroughly: “What are you going to do with people like me?” There is not one person who does not recognize how dysfunctional our current immigration system has become. Almost as dysfunctional as our political system. It cannot be acceptable in 21st Century America to have some individuals relegated to the back of the bus, or thrown off the bus after having established such strong roots and allegiances to this country. As Mr. Vargas stated, everyone is entitled to his or her own opinions, “but not their own facts.” Before making a decision, one should see this film and lean the facts.

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“Granito: How to Nail A Dictator” to air on some public television stations

Posted on June 21, 2012. Filed under: interesting, learning, media that matters, politics, Uncategorized, video | Tags: , , , , , , , , , |

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I was a Peace Corps Volunteer in Guatemala in the late 1980s.  Since that time, I have tried to stay informed about what is going on there.  It is an amazingly beautiful country with a brutally violent history.  It was with great sadness that I recently learned that the United States will no longer send volunteers to Guatemala and many other Central American countries because of an escalation of drug war violence.

(As an aside, I recommend that you watch http://www.thehouseilivein.org/ for why the drug war is a failure.)

The purpose of this post is to highlight the national distribution of “Granito: How to Nail A Dictator,” which I have heard is an amazing film and will be nationally broadcast on public television stations starting on Thursday, June 28.

However, as I explained in the post below, many public television stations have decided not to air it at all (this seems to be true for WHUT and MPT), and some, like WETA, have decided to air this film only in the middle of the night. 

How is it that Antiques Roadshow can air repeatedly occupying many prime viewing slots and an amazing documentary film is relegated to the middle of the nightSee post below to help correct this problem.

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If you love great films, Let Your Voice Be Heard!

Posted on June 20, 2012. Filed under: Art, learning, media that matters, politics, technology, Uncategorized, video | Tags: , , , , , , , |

Do you love great documentary films?  Would you like to see them on your local public television station?  A recent Center for Social Media report showed strong public support for public-purpose programming and popular anger that many public television stations decide to repeatedly air programs like Antiques Roadshow during prime viewing hours, while relegating meaningful documentary films few slots, frequently in the middle of the night.  In addition, many public television station choose not to air many meaningful documentaries at all.

Please help make sure that your local public television affiliate knows what you value. POV and Independent Lens both fund and distribute some of the best new docs on public television stations throughout the United States.  They publicize these films and release schedules for when they are going to air.  However, if you have ever tried to watch a documentary on your local public television station, you have likely found that the show that you want to watch is not airing on the date or time that was advertised.    Local affiliates have discretion over which shows to air and when to schedule them.   Here in the Washington DC area, we are lucky to have three public television stations, WHUT, WETA, MPT.   Unfortunately, WHUT, WETA and MPT frequently air ITVS’ Independent Lens, and POV and other great documentaries not on the dates and times advertised for national distribution, but mostly if they choose to air them at all, they air them days or weeks later, in the wee hours of the night.

Nationally, Public Broadcasting Service (“PBS”) has decided to promote documentaries into a more desirable time frame.  This fall, PBS will program POV documentaries to air on Monday early evening time slot.  The purpose of this blog post is to encourage documentary lovers and all lovers of great films to encourage your local PBS affiliate to follow PBS’ lead and air Independent Lens and POV documentaries on Monday evenings, at the times and days that they air nationally.  To the uninitiated, this seems like a relatively minor issue.  However, for documentary filmmakers, the issue is quite important for building audiences and promoting their films.  Obviously, it is not desirable to have your film air at one in the morning, but having it air on a different date in every major city is also a tremendous impediment to viewers like you and me.   Please contact your local public television affiliate and encourage it air these great films during the same days and times are they are intend to be seen nationally.

Click here to send an email WETA: http://www.weta.org/contact

WETA, 3939 Campbell Avenue, Arlington, VA 22206

Phone: 703-998-2600

Or contact Maryland Public Television here: directconnection@mpt.org

Maryland Public Television
11767 Owings Mills Boulevard
Owings Mills, MD 21117-1499

Phone: 410-356-5600
Fax: 410-581-4298

Or contact WHUT here: http://www.whut.org/whut/?page_id=28

WHUT
Howard University Television
2222 Fourth Street, NW
Washington, DC 20059
202-806-3200

For more context, see:

http://www.centerforsocialmedia.org/blog/future-public-media/pbs-decides-showcase-indie-work

http://www.centerforsocialmedia.org/blog/future-public-media/pbs-finds-spot-independent-lens-and-pov%E2%80%94-where

http://mediadecoder.blogs.nytimes.com/2012/05/09/pbs-will-move-series-of-films-to-monday-night/

http://www.nytimes.com/2012/03/19/business/media/schedule-changes-hurt-pbs-film-series.html?_r=1

http://kartemquin.com/newsletter/4531/pbs-needs-indies-a-success-%E2%80%94-pbs-moves-pov-independent-lens-to-monday-night

http://www.current.org/indies/indies1209treaty.html

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Lawrence Lessig Explains How to Fix Congress

Posted on October 27, 2011. Filed under: learning, media that matters, politics, Uncategorized, video | Tags: , , |

http://www.rootstrikers.org/

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Two Great Films

Posted on October 3, 2011. Filed under: Art, media that matters, politics, Uncategorized, video | Tags: , , , , |

INCENDIES

Adapted from Wajdi Mouawad’s acclaimed play, Incendies is a moving tale of discovery. Two siblings travel halfway across the world to piece together the troubled history that their mother almost took with her to her grave. Jeanne and Simon are young adults living in Canada, oblivious to their mother’s turbulent past. The siblings are set in motion after their mother goes into a catatonic state. Jeanne seeks to carry out her mother’s wishes and her brother seeks to distance himself from what he sees as the final manifestation of his mother’s incomprehensibility.

Visiting Lebanon for the first time, Jeanne discovers the horrors her mother spent her whole life trying to protect her from. Flashbacks to her mother’s youth during Lebanon’s civil war are effectively used to make Jeanne’s journey vivid and revealing. She walks through the same dusty streets and country lanes as her mother had decades earlier. Many are almost unchanged. The scenery is stark and beautiful. A language barrier is the least of her difficulties. She is fluent in two languages, but cannot decipher her mother’s history without significant assistance and determination. The hostility Jeanne encounters from the women of her mother’s native village, is striking for it ferocity. After all those many years, hatreds have not subsided. After discovering part of the riddle, she convinces her brother to join her to locate their missing family members. Although the story they piece together is brutal, it is also filled with love and sacrifice that is not easily forgotten.

THE HELP

Set in the South in the early 1960s, the relationship of a young white society woman, Skeeter, and a friend’s maid, Abileen, provide an important window into the world of discrimination that was at the time, not only condoned, but by some, even encouraged. It was a way of life that was enforced by law. What starts as a relationship of necessity, becomes a friendship built upon mutual respect. Having been waited on all her life by her family’s maid, Skeeter needs Abileen to provide her the how-to for her newspaper’s household advice column. As an aspiring writer, Skeeter longs to tell a far more important story, from the perspective of the maids in her town. As Skeeter becomes more intimate with the struggles of the black women who raised generations of white children, she, together with the audience, begin to lose respect for many of her white childhood friends as they attempt to perpetuate the repressive social structure. The maids, who at their time were seen more like posessions than people, are seen through the eyes of Skeeter to be resilient, loving, and beautiful characters. The richness of these characters and the white women surrounding them make this powerful story one that will bring you to laughter and tears. You can’t help but root for Skeeter and Abileen as they traverse the dangerous terrain that must be passed through to arrive at the truth.

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New Peace Corps Promotional video (13 minute)

Posted on September 15, 2011. Filed under: Books, interesting, learning, media that matters, Uncategorized, video | Tags: |

I’m looking forward to the 50th Anniversary commemoration of the Peace Corps next weekend. There is going to be a story slam, a gathering of Peace Corps authors, a Third Goal Bash, Embassy receptions, and a march to President Kennedy’s Tomb. Below is the latest recruitment video from the Peace Corps. While it is good, it seems to have omitted the traditional refrain, “The Toughest Job You’ll Ever Love,” which is too bad because it was quite apropos. Also, the video seems to gloss over some of the real challenges of living in the third world. Anyway, its worth watching if you are considering the Peace Corps. Another, more time-intensive way to learn about the Peace Corps is to read some of the books written by Peace Corps volunteers. This is one of my favorites, but there are dozens that I have really liked and none that I have not liked: Under the Neem Tree, by Susan Lowerre (Senegal 1985–87). Without a doubt, the Peace Corps is not for everyone, but if it is right for you, it will be a remarkable, life-changing experience that you will cherish. It will alter your life path in a significant way.

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Art Project

Posted on March 27, 2011. Filed under: Art, interesting, learning, media that matters, technology, video | Tags: |

It’s now possible to visit about a dozen art museums around the world without ever leaving the comfort of your home.

Visit: http://www.googleartproject.com/

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