AFI Documentary Festival

AFI DOCS runs June 14–18, 2017, in Washington, DC, and Silver Spring, MD http://www.afi.com/afidocs/features.aspx

I have not studied the program in depth, and none of the films that I screened made the festival, but, if you are interested in documentary film, I recommend you buy advance tickets to at least one film. If you do not buy tickets in advance, you will likely be relegated to the stand-by line, which is not as futile as it sounds. Most films screen once in DC and once in Silver Spring.

Here are a few films that did jump out at me:

AFIDOCS___Features_2

http://www.afi.com/afidocs/features.aspx#dolores

AFIDOCS___Features_3

http://www.afi.com/afidocs/features.aspx#la-libertad-del-diablo

I note that two films below appear to be showing only once (instead of twice) and also seem to be programed for the smallest theater in Silver Spring (theater 3). Seems like one of the high level programmers thought these were very important films, but not anticipated to appeal to a larger audience.

AFIDOCS___Features_1

http://www.afi.com/afidocs/features.aspx#el-mar-la-mar

AFIDOCS___Features

http://www.afi.com/afidocs/features.aspx#insignificant-man-an

If you are a serious documentary film buff or an inspiring filmmaker, you may want to check out the AFI Docs Forum. In the past, it has only been for filmmakers and Industry people. You may want to look at the schedule of events. It does not include films (or food) only lectures. It seems like a good deal, although last year all of the forum sessions were streamed live.

http://www.afi.com/afidocs/forum.aspx

Advertisements

Documented

Documented is a new film by Jose Antonio Vargas

The film had its world premier at the AFI Docs Festival last night to a sold out crowd at the National Portrait Gallery.

It chronicles the struggles and efforts of the Pulitzer Prize-winning former journalist, both before and after he outed himself as an undocumented immigrant in the New York Times Magazine. “Documented” chronicles his decision to transform his life. At some point, he could no longer keep his secret. He had become a successful journalist covering political campaigns and appearing on television. He had all the trappings of the American success story, but he lacked permission to be in the United States. He had been brought to the U.S. as a child and had no way to obtain a valid immigration status. And after seeing and speaking with thousands of immigrants in the same situation, he decided to “let the world in” to his secret and decided to become an immigration reform activist/provocateur.

photo(3)

Mr. Vargas has made a compelling film that brings into focus what it really means to be an American. It is not a piece of paper, a birth certificate, a passport, or the luck of being born here. It is a love of country, which Mr. Vargas has in abundance. It is also about hard work and struggle. My Vargas’ grandparents were U.S. citizens and brought him to the USA when he was 12. He became an outstanding student and with the help of dozens of friends, mentors, and surrogate parents, he achieved the American dream. However, the cost of this dream were high, and not being able to be open about his status exacted a toll on his psyche. Seeing other young immigrants struggling to keep their families together and lobby Congress to pass the Dream Act., made him realize that he could use his talents as a writer to help America to peel back the layers and understand the complicated issue of immigration reform. The complexity of the topic has been lost in the political bickering and punditry that characterizes our political system and our society. Sound-bites are particularly inappropriate to understand this complex topic. The film sheds a bright and focused light, like very few other films on this topic. It also highlights his struggle to repair his relationship with his mother, who for twenty years had been trapped half way across the world (in the Philippines) with no way to see her son. The film shows that there are thousands of young adults from all over the world who face the same situation. At one moment towards the end of the film, Mr. Vargas is invited to testify before the Senate. His words are profound and he leaves the Senators with the following question that I think we all must consider thoroughly: “What are you going to do with people like me?” There is not one person who does not recognize how dysfunctional our current immigration system has become. Almost as dysfunctional as our political system. It cannot be acceptable in 21st Century America to have some individuals relegated to the back of the bus, or thrown off the bus after having established such strong roots and allegiances to this country. As Mr. Vargas stated, everyone is entitled to his or her own opinions, “but not their own facts.” Before making a decision, one should see this film and lean the facts.

“Granito: How to Nail A Dictator” to air on some public television stations

Image

I was a Peace Corps Volunteer in Guatemala in the late 1980s.  Since that time, I have tried to stay informed about what is going on there.  It is an amazingly beautiful country with a brutally violent history.  It was with great sadness that I recently learned that the United States will no longer send volunteers to Guatemala and many other Central American countries because of an escalation of drug war violence.

(As an aside, I recommend that you watch http://www.thehouseilivein.org/ for why the drug war is a failure.)

The purpose of this post is to highlight the national distribution of “Granito: How to Nail A Dictator,” which I have heard is an amazing film and will be nationally broadcast on public television stations starting on Thursday, June 28.

However, as I explained in the post below, many public television stations have decided not to air it at all (this seems to be true for WHUT and MPT), and some, like WETA, have decided to air this film only in the middle of the night. 

How is it that Antiques Roadshow can air repeatedly occupying many prime viewing slots and an amazing documentary film is relegated to the middle of the nightSee post below to help correct this problem.

If you love great films, Let Your Voice Be Heard!

Do you love great documentary films?  Would you like to see them on your local public television station?  A recent Center for Social Media report showed strong public support for public-purpose programming and popular anger that many public television stations decide to repeatedly air programs like Antiques Roadshow during prime viewing hours, while relegating meaningful documentary films few slots, frequently in the middle of the night.  In addition, many public television station choose not to air many meaningful documentaries at all.

Please help make sure that your local public television affiliate knows what you value. POV and Independent Lens both fund and distribute some of the best new docs on public television stations throughout the United States.  They publicize these films and release schedules for when they are going to air.  However, if you have ever tried to watch a documentary on your local public television station, you have likely found that the show that you want to watch is not airing on the date or time that was advertised.    Local affiliates have discretion over which shows to air and when to schedule them.   Here in the Washington DC area, we are lucky to have three public television stations, WHUT, WETA, MPT.   Unfortunately, WHUT, WETA and MPT frequently air ITVS’ Independent Lens, and POV and other great documentaries not on the dates and times advertised for national distribution, but mostly if they choose to air them at all, they air them days or weeks later, in the wee hours of the night.

Nationally, Public Broadcasting Service (“PBS”) has decided to promote documentaries into a more desirable time frame.  This fall, PBS will program POV documentaries to air on Monday early evening time slot.  The purpose of this blog post is to encourage documentary lovers and all lovers of great films to encourage your local PBS affiliate to follow PBS’ lead and air Independent Lens and POV documentaries on Monday evenings, at the times and days that they air nationally.  To the uninitiated, this seems like a relatively minor issue.  However, for documentary filmmakers, the issue is quite important for building audiences and promoting their films.  Obviously, it is not desirable to have your film air at one in the morning, but having it air on a different date in every major city is also a tremendous impediment to viewers like you and me.   Please contact your local public television affiliate and encourage it air these great films during the same days and times are they are intend to be seen nationally.

Click here to send an email WETA: http://www.weta.org/contact

WETA, 3939 Campbell Avenue, Arlington, VA 22206

Phone: 703-998-2600

Or contact Maryland Public Television here: directconnection@mpt.org

Maryland Public Television
11767 Owings Mills Boulevard
Owings Mills, MD 21117-1499

Phone: 410-356-5600
Fax: 410-581-4298

Or contact WHUT here: http://www.whut.org/whut/?page_id=28

WHUT
Howard University Television
2222 Fourth Street, NW
Washington, DC 20059
202-806-3200

For more context, see:

http://www.centerforsocialmedia.org/blog/future-public-media/pbs-decides-showcase-indie-work

http://www.centerforsocialmedia.org/blog/future-public-media/pbs-finds-spot-independent-lens-and-pov%E2%80%94-where

http://mediadecoder.blogs.nytimes.com/2012/05/09/pbs-will-move-series-of-films-to-monday-night/

http://www.nytimes.com/2012/03/19/business/media/schedule-changes-hurt-pbs-film-series.html?_r=1

http://kartemquin.com/newsletter/4531/pbs-needs-indies-a-success-%E2%80%94-pbs-moves-pov-independent-lens-to-monday-night

http://www.current.org/indies/indies1209treaty.html

Special SilverDocs screenings/events

These films and post-screening discussions look interesting:

CRUDE
June 16 at 5:15 p.m.

Post-screening discussion with Award-winning filmmaker Joe Berlinger (PARADISE LOST, BROTHER’S KEEPER, METALLICA: SOME KIND OF MONSTER)

FACING ALI
June 16 at 7 p.m.

Post-screening discussion moderated by longtime USA Today sports writer David DuPree featuring filmmaker Pete McCormack and producer Derik Murray.

MUGABE AND THE WHITE AFRICAN
June 18 at 4:30 p.m.

Post-screening panel discussion featuring filmmaker Lucy Bailey, moderated by Peter Godwin, former BBC foreign correspondent and author of When a Crocodile Eats the Sun: A Memoir of Africa.

NO IMPACT MAN
June 18 at 4:45 p.m.

Post-screening discussion moderated by Award-winning NPR national correspondent Daniel Zwerdling featuring filmmakers Laura Gabbert and Justin Schein and film subject BusinessWeek senior writer Michelle Conlin.

CONVENTION
June 18 at 7 p.m.

Post-screening discussion featuring members of the filmmaking team, Leah Daughtry, CEO 2008 Democratic National Convention, Katherine Archuleta, DNC Lead City Planner, Chantal Unfug, Denver liaison to the DNC, Curtis Hubbard, Denver Post political editor, and Denver Post reporter Allison Sherry.

FRED WESLEYFRED WESLEY QUARTET
June 19 at 7-8 p.m.

Fred Wesley Quartet in performance at the Downtown Silver Spring Plaza Stage on Ellsworth Drive between Georgia and Fenton. The legendary Fred Wesley, featured in the film SOUL POWER, delivers a little of his own.

THE SEPTEMBER ISSUE
June 19 at 7:15 p.m.

Post-screening discussion moderated by Pulitzer Prize-winning fashion writer Robin Givhan and filmmaker R.J. Cutler.

SOUL POWER
June 19 at 9:45 p.m.

Post-screening discussion and performance featuring filmmaker Jeffrey Levy-Hinte and legendary funk/jazz trombonist Fred Wesley.

EPISODE 3 – ENJOY POVERTY
June 20 at 3:30 p.m.

Post-screening discussion featuring filmmaker Renzo Martens moderated by WAMU-88.5 FM host Kojo Nnamdi.

Closing Night: THE NINE LIVES OF MARION BARRY
June 20 at 6:30 p.m.

Post-screening discussion moderated by Emmy Award-winning NPR news analyst Juan Williams, featuring Civil Rights activist Lawrence Guyot, Dorothy Brizill, Executive Director DC Watch, and NBC4 News reporter Tom Sherwood.

Watch documentary films free on-line

SnagFilms is committed to finding the world‘s most compelling documentaries, whether from established heavyweights or first-time filmmakers, and making them available to the wide audience these titles deserve.

SnagFilms.com is a website where you can watch full-length documentary films for free, but we’re also a platform that lets you “snag” a film and put it anywhere on the web. With a library of 250 films, and rapidly growing, you’re bound to find films that resonate with your interests. We make it easy for you to find a film that shines a light on a cause you care about. You can then open a virtual movie theater on any web site, so any one can watch your favorite SnagFilms for free.

SnagFilms can be summed up in four words: Find. Watch. Snag. Support.

Find. Whether using our custom search tools, browsing by topic, or tuning into one of the great channels provided by our partners, with a few clicks you’ll be able to find what you’re looking for.

Watch. By streaming films worldwide, on-demand, 24×7 and with no software installation or downloading required, we have radically expanded the audience for documentary films. All you need is a decent broadband connection. Just click play, go full-screen, and lean back and enjoy our films.

Snag. Widgets let you take your favorite SnagFilms with you wherever you like to go online. Open a virtual movie theater right in your webpage, blog, Facebook or MySpace page, or just about any other place online you can think of.

Support. At their best, documentaries don‘t merely entertain us, they engage and inspire us to action. Our filmmakers have selected their favorite charities and causes so you can get involved, immediately.  And just by embedding our widget our widgets, you’ve donated your pixels and helped support independent film.

Awsomely Powerful and Well Done Documentary Film

The English Surgeon - A Film By Geoffrey Smith.
I saw this film tonight at SilverDocs. It was fantastic. I also got to speak with the Director and the surgeon himself.

The English Surgeon - A Film By Geoffrey Smith.

http://www.theenglishsurgeon.com/thefilm.htm

THE FILM

What is it like to have God like surgical powers, yet to struggle against your own humanity? What is it like to try and save a life, and yet to fail? This film follows brain surgeon Henry Marsh as he openly confronts the dilemmas of the doctor patient relationship on his latest mission to the Ukraine.

Henry is one of London’s foremost brain surgeons, but despite being a pioneer in his field he stills rides an old pushbike to work and worries himself sick about the damage he can inflict on his patients. “When push comes to shove we can afford to lose an arm or a leg, but I am operating on people’s thoughts and feelings…and if something goes wrong I can destroy that person’s character ……forever”.